Phase 1: Observing.
My creative persuit began by examining the emotional vacuum of modern cities. These studies concluded that the city’s physical form mirrors the very culture it sustains. This inquiry became the conceptual foundation of my later work on duality mindset.
Phase 2: Analysing.
Investigating the roots of this dissonance, through long, labor‑intensive projects, I concluded deception not as immorality but as a cultural necessity, that sustains harmony within society.
Phase 3: Explaining.
I distilled these ideas into visual patterns and lie diagrams that reveal how belief and behaviour are structured in an ever‑shifting balance between authenticity and execution.
Phase 4: Projecting.
During my residency in Iceland, I observed that natural formations echo the patterns of our mind. From this emerged a series of small land‑art portraits, projecting the duality mindset (the frame and within) to the landscape.
Phase IV (see: below)
















































































